section · 02

photography

dan lorenzen shoots travel on film. a leica m3 and a hasselblad 500c/m for medium format, with a fujifilm x-t5 when digital is the right tool. no second chances, no infinite storage. each frame is a commitment.

leica m3 camera

leica m3

manual focus, mechanical precision. every frame earned on the street.

1959 · rangefinder
hasselblad 500c/m camera

hasselblad 500c/m

square negatives. the frame eliminates choice — only composition remains.

1964 · medium format 6×6
fujifilm x-t5 camera

fujifilm x-t5

digital counterpart. classic film simulations — acros, classic chrome, reala ace. carried when film is not the tool.

2022 · aps-c · 40.2mp

the gallery

oaxaca

oaxaca

fujifilm x-t5 · aps-c · 2024

oaxaca, mexico2024

quiet street

leica m3 · 2024

lisbon, portugal2024

square light

hasselblad 500c/m · 6×6 · 2023

oaxaca, mexico2023

passage

leica m3 · 2024

tokyo, japan2024

horizon

fujifilm x-t5 · aps-c · 2025

baja california, mexico2025

form study

hasselblad 500c/m · 6×6 · 2024

berlin, germany2024

shadow walk

leica m3 · 2023

paris, france2023

soft hour

fujifilm x-t5 · aps-c · 2025

santorini, greece2025

gravity

hasselblad 500c/m · 6×6 · 2024

kyoto, japan2024

morning light

leica m3 · 2023

havana, cuba2023

dusk

fujifilm x-t5 · aps-c · 2024

marrakesh, morocco2024

frame iv

leica m3 · 2024

porto, portugal2024

volume

hasselblad 500c/m · 6×6 · 2025

mexico city, mexico2025

open field

fujifilm x-t5 · aps-c · 2023

patagonia, argentina2023

dissolve

leica m3 · 2024

reykjavik, iceland2024

interior

hasselblad 500c/m · 6×6 · 2025

marfa, texas2025

take the frame home

limited-edition prints

archival fine art paper. signed and numbered. small editions, one-time pressings. select from any photograph in the archive.

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